Revenant Chapters from the Novel used for Comic Book 2

These were the chapters from my original vampire trilogy novel "The Guardian, Revenant, and Dominion" that I chose to condense, adapt, and rewrite (tweak) for the second issue of my Vampire Guardian Angels^TM comic book series, “Revenant”

Note: The second book in the trilogy novel is way more erotic, graphic and disturbing (and over 18 only) and I had to tone it down for the comic book series.

 Copyright Lia Scott Price

Chapter from the novel used for pages 1, 2 and 3  of  Revenant,  Comic Book 2 .The comic book only had Gabriel featured as the main angel-turned-vampire who bit all the other angels in Heaven.

(Also, the novel has the character Gregory getting thrown out of Heaven. In the comic book, he is already on Earth.)

Chapter from the novel used for pages 4 and 5 of  Revenant,  Comic Book 2. The comic book reveals Gregory. In the novel. The reader is left to wonder who the mysterious “dark angel”.

Chapter from the novel used for page 6 of  Revenant,  Comic Book 2.

Chapter from the novel used for page 7 of  Revenant,  Comic Book 2.

Chapter from the novel used for page 8 of  Revenant,  Comic Book 2. The page combines Chapter 7 and 42 of the novel

Chapter from the novel used for page 9 of  Revenant,  Comic Book 2. 

Chapter from the novel used for page 10 of  Revenant,  Comic Book 2. 

Chapter from the novel used for page 11 of  Revenant,  Comic Book 2. 

Chapter from the novel used for pages 12 and 13 of  Revenant,  Comic Book 2. 

Chapter from the novel used for page 14 of  Revenant,  Comic Book 2. In the comic book, Leah slaps Janos.

Chapter from the novel used for page 15 of  Revenant,  Comic Book 2. There were actually only two vampires in the original novel, but in the comic book series, I expanded them to 4 to include 4 members of the death metal band Enthraller.

Chapter from the novel used for page 16 of  Revenant,  Comic Book 2. The scene in the comic book has Leah “praying”, which summons Gregory. In the novel, Gregory appears to Leah on his own.

Chapter from the novel used for page 17 of  Revenant,  Comic Book 2. This scene combines chapters 45 (The character “Jim” is left out) and 55 from the novel.

Chapter from the novel used for pages 18 and 19  of  Revenant,  Comic Book 2. A lot of details like Leah’s choker that Janos gives her and the reason for it does not appear in the comic book.

Chapter from the novel used for page 21 of  Revenant,  Comic Book 2. A lot of details like Leah’s choker that Janos gives her and the reason for it does not appear in the comic book.

Chapters from the novel used for page 23  of  Revenant,  Comic Book 2.  

The Guardian Chapters from the Novel used for Comic Book 1

These were the chapters from my original vampire trilogy novel "The Guardian, Revenant, and Dominion" that I chose to condense, adapt, and rewrite (tweak) for the first issue of my Vampire Guardian Angels^TM comic book series, "The Guardian".

Copyright Lia Scott Price

Page 2 of  The Guardian,  Comic Book 1. In the comic book series, Gabriel hypnotizes the priest to commit suicide with a gun. In the novel, it's actually with dynamite and in a really explosive way.

Chapter from the novel used for page 3 of  The Guardian,  Comic Book 1.

Chapter from the novel used for page 4 of  The Guardian,  Comic Book 1.

Chapter from the novel used for page 5 of  The Guardian,  Comic Book 1.

Chapter from the novel used for page 5 of  The Guardian,  Comic Book 1.

Chapter from the novel used for page 6 of  The Guardian,  Comic Book 1.

Chapter from the novel used for page 7 of  The Guardian,  Comic Book 1. In the comic book series, Joseph is actually a little older than he is in the novel.

Chapter from the novel used for page 8 of  The Guardian,  Comic Book 1.

Chapters from the novel used for page 9 of The Guardian,  Comic Book 1.

This was the scene that started out as a film script, and the very first scene I wrote, and later expanded and turned into the first story in the novel.

Chapter from the novel used for page 10 of  The Guardian,  Comic Book 1.

Chapter from the novel used for page 11 of  The Guardian,  Comic Book 1.

Chapter from the novel used for page 12 of  The Guardian,  Comic Book 1.

Chapter from the novel used for page 13 of  The Guardian,  Comic Book 1.

Chapter from the novel used for page 13 of  The Guardian,  Comic Book 1.

Chapter from the novel used for page 14 of  The Guardian,  Comic Book 1.

Chapter from the novel used for page 15 of  The Guardian,  Comic Book 1.

Chapter from the novel used for page 16 of  The Guardian,  Comic Book 1. The scene with Joseph almost falling from the window ledge is left out.

Chapter from the novel used for page 17 of  The Guardian,  Comic Book 1.

Chapter from the novel used for pages 18 and 19 of  The Guardian,  Comic Book 1.

Chapter from the novel used for pages 18 and 19 of  The Guardian,  Comic Book 1.

Chapter from the novel used for page 20 of The Guardian,  Comic Book 1.

The scenes on pages 21 and 22 of The Guardian,  Comic Book 1 were not in the original novel since the first story in the novel (The Guardian) is a prequel where Gabriel is not yet a vampire. This was added later in the comic book.

More Sneak Peeks of Issue 5's Bloody Pages Part 4

Comic Book Series Fan Posts Part 56

A very special thank you to all my wonderful friends and fans, I'm truly honored to receive your feedback, posts, responses and shares on the comic book series and I am grateful for everyone's support! Thanks again! You all rock!

Cosplaying my own character in my comic book series

It’s kind of like life-imitates-art-imitates-life. It’s kind of fun to base a character from my novel and comic book series on myself and I get to actually cosplay that character for real. In the novel and comic book, my character is an author, which I am in real life. (As for whether my vampire characters are real….well, who knows.) I’m an author playing an author who brings my characters "to life" which I also kind of do in real life through a comic book. In the novel’s story I brought my vampire characters to life accidentally through supernatural means.  I can look and dress like my own character on a daily basis, so it’s kind of a fun motivation to “get into character” as they say in the film industry, and inspires me to write more sequels. In any case, life definitely isn’t boring when you’re doing something creative!

How I learned to write the novel that became my comic book series

The majority of my chapters in my Vampire Trilogy Novel “The Guardian, Revenant, and Dominion” started out as scripts.  I wrote the scenes and dialogue first, and then filled in the details later. At the time I was writing for an acting class on a weekly basis, and I tested out my own scripts and dialogue with the actors to see if it flowed and made sense. I actually started the novels out with one random scene, and pieced the novel together from there. I would randomly write chapters out of order depending on the scene I felt like writing that week. If I wanted an action dialogue, or a creepy scene, then I wrote depending on how I felt and how I wanted the actors to act out the scene. I would even travel to locations in order to get a feel for the atmosphere for the novel. (“Revenant” was written in Brooklyn, New York). I wrote the novel depending on the location I was in at the time.

Sample Scene from the Script and Novel

When I decided to turn the novel into a comic book series, the challenge was condensing about 90-200 pages of each story into 24 condensed pages. I had some favorite scenes but  I had to figure out which was ore crucial to the story. There was a lot that  had to be cut but in a way that still kept the focus of the story. Sometimes you have to emotionally detached yourself in order to make the story flow more when condensed down to just the main points, including the dialogue. I use the script method for each scene in the comic book, sent it to my artist, who turned each page into a storyboard.

Now, the sequels to the original novel are still written in script form, but for comic book format. I’m also incorporating a little bit of the graphic novel method, where one page will have a full-page scene and a longer dialogue will appear on the opposite page.

Please read my writing and self-publishing disclaimer here

I am a Type A Personality

Small talk generally bores me, but there’s an exception. The one time small talk will not bore me is when I’m meeting other creative types such as metal bands, indie authors, artists, entrepreneurs etc, or fans, because I feel we have a lot in common and we can share experiences and advice. I’m a very genuine person and I love meeting fans and independent artists I can relate to, and I do express a genuine interest in talking to them and listening to what they have to say. That’s the exception.  But this does not mean I will be rude to you. I will treat you with respect and listen to you, but eventually my mind might drift off.

I have chosen the hard, sometimes lonely, path to do what I love, and there are times when I don't think people understand what goes on in my head. I tend to go into my own little world because my brain is busy creating. It's my obsession and my passion to write, and to create something like a comic book series, or a film. It's almost like I don't want to just be ordinary. I want to create an extraordinary, imaginary world using a chosen visual media.

But I’m also rather reclusive in the sense that I hate wasting time. I have a serious phobia of wasting any time. I’d rather lock myself in a room and work, and I need to always be doing something productive towards my projects. I am very annoyed by anything and anyone who cuts into my creative time or slows any progress towards my getting things done and because I’m so efficiency-driven.  I hate waiting too. But I’ve managed to cope with this by being productive on my iPhone while waiting a a doctor’s office or waiting in a line. I also make a to-do list and schedule my time so if there are times I have to wait, I have something to do, such as promotions on social media using my phone. I live by to-do lists, task and project lists, and I have plans of action and preliminary schedules at least five years in advance. I need everything to be streamlined (even down to planning my meals and wardrobe) and running like a machine.

This tends to make social situations a little bit of a challenge for me. I have little patience and when a conversation or social situation starts to bore me, and the talk is just about non-creative stuff,  I just tune out or even leave, because I feel like it’s a waste of my time and I could be putting my energy towards something else. I could be getting a lot of things done. I guess that’s the one quirk I have. If I want to socialize, I’ll just go on Facebook. Or to a local metal show, where I will never ever get bored when I’m around hard-working bands and promoters and metal heads I admire.

The reason of course is that I have a goal-oriented, deadline-driven mindset and an intense drive to devote my time to my projects. There’s always a sense of urgency and impatience that I am trying to control. What usually happens is that my brain goes into overdrive and I always feel the intense urge to create, write, and make my ideas happen. You can say I’m an obsessed overachiever and workaholic. It takes some really devoted friends to put up with me, lol.

However, along with my driven personality comes anxiety, over-worrying,  and becoming agitated and frustrated if things don’t go my way. I always want to stay on top of things and I’m a little bit of a control freak when it comes to my projects. But I’ve managed to control this by staying as professional as possible, and instead of constantly worrying about a problem or a future problem, I now create a problem-solution list that helps me cope.

The hardest thing I try to control though is that I’m always in a rush. I feel like every minute must be filled with something productive, I can’t be idle, and I need to get things done. It may not show in the outside, but inside, I’m freaking out because, you know, time is of the essence and I need to get things done. Can it wait until tomorrow? My mind says not really— it will feel like a long, painful, endless wait, so I usually don’t sleep but when tomorrow comes, I’m off and running. I get such a single-minded, laser like focus that yes, I will sacrifice my social life. I tend to be good at accomplishing my goals, but sometimes I sacrifice a lot. Because I’m so work-obsessed  I’m constantly multitasking— writing while I eat, seeing eating as slowing me down and so I eat fast, and wishing that someone would invent computers in showers— that I’d rather be working every single minute of the day and night and do more than one thing at a time, and I probably even work in my dreams.

Relax? What’s that? Ask me to take two days off to go camping or go on a vacation and I will look at you like you have just placed a brick wall in front of my speeding Ferrari. I’m always like a racehorse at the gate—eager to go and get my stuff done.

I do have one fault: I do get frustrated and snarky because I am less tolerant than others when it comes to anything that gets in my way, or if I feel that a person doesn't have the same sense of urgency. I am extremely impatient with any perceived unproductive time. I don’t always show it because I try my best to be professional. Sometimes I act as if everything had to be done yesterday. But I’ve been really working on these tendencies by trying to lighten up a little more, turn my worries into more positive thoughts, not dwell of the negative what-ifs, and develop a little more trust in people who I work with, slow myself down and be more patient. I now keep records of progress and write down my fears and possible solutions, and I find that things aren’t so bad or urgent after all. Oh and the breathing exercises friends have recommended to me help a whole lot!

I’m not a difficult person. I’m extremely friendly, supportive, genuinely nice, welcoming, and approachable in social situations, online, and when you do meet me in person, I'm genuinely interested in what other people do. I work to treat my fans and friends with respect. I just tend to be Type A when it comes to my work and projects. I don’t make unreasonable or impossible demands, but my driven personality will sometimes take over and become the priority over everything else. So sometimes I tend to socially isolate myself so people don’t see this side of me (because it’s pretty brutal). I tend to be a loner so I can move about quickly and independently and not have to wait for people and I don’t like relying on others. Fortunately I’ve been able to work on self-control by being as professional as I can be.

Some tips on how to deal with a Type A personality like me:

1. Don’t beat around the bush. Be direct and honest and communicate with me. GET TO THE POINT. Don’t make me have to analyze your messages. I also hate messages that begin with “Hi.” and that’s it, no other context or follow-up. Or the next response I do get will be “How are you?” I am frikin’ fine, get to the point, what are you contacting me for? Don’t drag things on. Be concise because you will instantly lose my attention. I’ll  be respectful, but know that it does irk the hell out of me.

Also, don’t wait until the last minute on a problem. Let me know right away so I can work on it.

2. Never ever ever be  constantly late especially to a business meeting or any meeting without giving me an update.  I value my time too much, I myself try to always be on time, and it show disrespect for people to be late and to not let me know. Also, don’t expect me to veer off track from a schedule at a whim. It’s hard for me to do. Well, in general, never show up late with me (unless your plane is delayed or something like that).  I am very time-sensitive and it’s the quickest way to get on my nerves, although I am trying to be understanding if there are unforeseeable delays.

3. Know that I need my “me” time because the drive is sometimes so overwhelming a lot of people don’t understand it. But it comes first and I may become unrealistically and unfairly resentful of anyone and anything who stands in my way. I get too anxious. But I’m working on that. Also, don’t use me as a therapist and dump your problems on me. Hence, a theme in my books). If you do bring a problem to me, I will give you my advice, follow up,  and expect you to start working towards solving the problem yourself and move on. But I’m not patient enough to have to listen to and endure constant venting of someone’s personal problems every day and the person making no effort to do something about it (and if your problem is serious enough, please see a therapist—  don’t rely on me to play one). I see it as a waste of my time. I’m not trying to be insensitive or non-supportive, but it’s one of the quickest ways to drive me away from someone. I’d rather hear about your solution and your plan of action. Then I even will cheer you on.

4. I tend to see things in black and white with no gray areas. I’m stubborn and come across as inflexible because I like concrete answers to problems. But  sometimes there are  “maybe’s” and I hate uncertainties (well, who doesn’t). But I’m working on that too, because I know that there may not be definites and that I have to be flexible.

5. Don’t be offended by the above.

Thankfully for the artists who work with me, they have not experienced this extreme side of me, and have not given me any reason to do so. They are probably the only people I've been extremely patient with--which is how much trust and respect we have developed with each other. I’ve learned not to micromanage and I’ve learned to communicate clear goals and deadlines with them, and be a little more flexible and understanding because, well, sometimes things can get pushed back and because life happens. They have helped me learn that, after working with my artists who are dedicated and reliable and trustworthy people and who are also my friends and who have not let me down, to sit back and finally make an effort to relax and not worry so much, and know that things will get done.